
Released in 1982 alongside XTC's landmark double album English Settlement, this promotional video reflects the moment when British post-punk bands were beginning to use video as a serious artistic medium, though with budgets still modest by later MTV standards. The reference to the Uffington White Horse — a prehistoric chalk figure carved into a Berkshire hillside — situates the video within a distinctly English…
Represents a critical inflection point in XTC's discography: the bridge between their angular new wave origins and the lush, guitar-driven pastoral pop they would develop through the mid-1980s. As a New Wave and Jangle Pop artifact, the video documents the genre's capacity for introspective,…
Read the full researched annotation on RAD →