
Released in September 1980, 'Johnny and Mary' arrived at the precise intersection of post-punk's intellectual decay and synth-pop's commercial ascent in the United Kingdom. Robert Palmer, already established as a blue-eyed soul artist, made a radical pivot on the Clues album, embracing prototype sequencers and machine-driven rhythms at Compass Point Studios in the Bahamas — a hub for boundary-crossing production in…
A pivotal document of New Wave's art-intellectual wing, 'Johnny and Mary' bridges blue-eyed soul, synth-pop, and European art-house video aesthetics. Its use of mime, detached narrator framing, and machine-rhythm minimalism prefigures the cerebral end of 1980s pop video production, and its…
Born 1945 in Brussels, Belgium. Belgian film director, writer, and producer active across fiction film, television, and music video. Feature credits include La chambre rouge (1972) and Isabelle and Lust (1975). Directed multiple Robert Palmer music videos,…
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