
Released in 1996, 'Bulldozer' arrived during the tail end of grunge's cultural stranglehold, when alternative rock had become the mainstream and its original underground energy was being commodified. Fred Schneider's collaboration with Steve Albini — the Chicago engineer/producer synonymous with Big Black, Pixies, and In Utero — was a deliberate statement of punk credibility, distancing the project from the B-52's…
A rare document of a canonical New Wave frontman fully committing to the punk/indie-rock idiom without parody. The video bridges B-52's art-school post-punk origins and the mid-90s Albini-adjacent indie underground, offering a counternarrative to the prevailing 'new wave nostalgia' trend of the…
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