
Released October 6, 1997 on Warp Records, Come to Daddy arrived at the apex of UK experimental electronic music's mainstream crossover moment. Situated within the post-rave IDM and drill-and-bass scenes, the video fused body horror, urban decay aesthetics, and brutalist architecture into a visual language that had no mainstream precedent. Cunningham's use of the Thamesmead estate — already coded through Kubrick's A…
Defines the apex of the IDM/drill-and-bass music video form. Demonstrated that electronic music videos could operate as short horror films with full narrative arc, practical prosthetics craft, and cinematic location work — elevating the format and establishing a body-horror visual grammar that…
Chris Cunningham (born 15 October 1970) is an English video artist and music video director. Early in his career he worked as a comic book artist for 2000 AD and in special effects on films including Judge Dredd and Alien: Resurrection. He later designed…
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